Life, in a Box (Sarah Got a Tumblr)

They used to call me Pruderick, but Jota will suffice. Please, peruse.
Check http://word-canvas.blogspot.com for my poetry
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Abandoned

I am putting down this blog.

Jinabox.tumblr.com - Efforts effectively transfered

04/21/2009 13:03
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288. ITS RAINING TODAY. I HEARD THIS GIRL SAY TO HER FRIEND "I FEEL LIKE WE'RE IN THAT TOWN IN TWILIGHT" AS I WALKED PAST HER. ACTUAL QUOTE FROM MY MOUTH: "WHAT THE FUCK?"

(via dearworldwtf)

04/20/2009 20:30
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I need to work out.

It hasn’t happened in far too long. This is getting gross.

04/14/2009 19:56
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04/07/2009 23:37
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Click here for hip hop

04/07/2009 14:04
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“one might suggest course intensification would have little to no impact or perhaps even have modest benefits.”
Hahaha. Okay, U of T. Any good student with half-decent critical skills could tell you that “one might suggest” that sentences that begin with “one might suggest” and that end with wishy-washy conclusions, like assessing something as having “little to no impact or perhaps even…modest benefits,” are not particularly convincing.”
— 

(Via Torontoist)

Thank God I’m already taking a full course load. It’s stupid though, if you don’t have enough money to take a full course load then they shouldn’t force you to do so. Beyond that, if I took advantage of the situation and took 6 courses next year, I would effectively be robbing the lesser fortunate students, and from what I’ve seen around campus so far, that’s just bullshit.

04/04/2009 03:10
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<4

- Jota. | iKrump says: •
I am JZA, the devourer of worlds,
I slash children with liquid razahs,
and corrupt boys and girls.
claudia I know it's a lie I wanted to be true says: •: [
- Jota. | iKrump says: •don't worry
- Jota. | iKrump says: •I won't hurt you
claudia I know it's a lie I wanted to be true says: •
hi I'm claudia
I like puppies and kittens
not evil siths, thanks
04/04/2009 01:17
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Got a new tumblr up.

http://thadaylifloh.tumblr.com

it is where I’ll be uploading any hip-hop I find. I’ve got a couple of boys putting shit up there to so feel free to stop by and listen to a few tracks. It’ll ideally be updated daily so check it out some time, you might like what you find.

03/31/2009 23:57
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thisisclaudia:

lifeinabox:

thisisclaudia:
This just happened to me.
Funny, my girlfriend called me today and told me that happened to her.  Only difference is that this is some innocent guy whereas I’m pretty sure my girlfriend provoked the goose… somehow…

YOUR GIRLFRIEND DID NOT PROVOKE THAT SON OF A BITCH SCHIZO DEMON SPAWN.

 she could just be saying that&#8230; we will never know&#8230;

thisisclaudia:

lifeinabox:

thisisclaudia:

This just happened to me.

Funny, my girlfriend called me today and told me that happened to her.  Only difference is that this is some innocent guy whereas I’m pretty sure my girlfriend provoked the goose… somehow…

YOUR GIRLFRIEND DID NOT PROVOKE THAT SON OF A BITCH SCHIZO DEMON SPAWN.

 she could just be saying that… we will never know…

03/31/2009 21:56
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J-Dogg: •I see you in line at the supermarket. Our eyes meet.
Partner8: •Who the f**k are you?
J-Dogg: •I mouth the words to you, as if in slow motion:
J-Dogg: •F**k me, F**k me.
J-Dogg: •My wishes are like poetry in your eyes. We want this moment to last forever.
Partner8: •OMFG are you trying to cyber me?
J-Dogg: •We are like two dancers, for whom the music never stops. I Kiss the top of your hand. You are taken aback by the bulge that forms in your thigh.
Partner8: •Is that like cancer?
J-Dogg: •If cancer is our love, then I hope you don't have the technology of chemotherapy.
Partner8: •Good one romeo.
J-Dogg: •You grab the bulge that you feel. you think it must be taking over your mind, theres nothing else you can think of. My tubesteak to you is like a beautiful japanese haiku.
The salmon swim at night.
Towards your room.
The snow and the moon.
Partner8: •that was never a haiku.
J-Dogg: •To your light bulb I am the Thomas Edison of your sex. Withought my light you would be lost in a sea of darkness.
Partner8: •That made even less sense than your "haiku"
J-Dogg: •So you ready to f**k then?
Partner8: •You unbutton my pants, spew your load at the sight of my underwear, and your spent.
J-Dogg: •...
Partner8: •?
J-Dogg: •I'm spent.
-Bloodninja
03/31/2009 02:27
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thisisclaudia:
This just happened to me.
 Funny, my girlfriend called me today and told me that happened to her.  Only difference is that this is some innocent guy whereas I&#8217;m pretty sure my girlfriend provoked the goose&#8230; somehow&#8230;

thisisclaudia:

This just happened to me.

 Funny, my girlfriend called me today and told me that happened to her.  Only difference is that this is some innocent guy whereas I’m pretty sure my girlfriend provoked the goose… somehow…

03/30/2009 13:55
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Things to leave out of an essay (according to Prof. A. Lesk)

Recourse to “the reader”: Using an imagined “reader” to purchase your argument is a rhetorically weak crutch. Why? Often, it is a matter of presuming what a given reader might feel/think, when you cannot know that. It is most often used to dictate a point of view that is really the writer’s own, and indicates a kind of grammatical laziness. (The only instance wherein “the reader” might have some play is answering the question related to Dramatic Irony or postmodern forms of readerly engagement, since such discussions invariably entail what “the reader” knows.)

Example 1:

Poor

: The reader is aware that Mansfield is attempting to portray Miss Brill in two ways.

Good: Mansfield is attempting to portray Miss Brill in two ways.

Example 2:

Poor: The reader needs to consider why Mansfield’s endings are so ambiguous.

Good: Mansfield’s use of ambiguity, especially given the story’s abrupt conclusion, prompts a reconsideration of the story itself.

Example 3:

Poor: We the readers come to understand that Singh’s philosophy influences her characterizations.

Good

: Singh’s philosophy influences her characterizations.

Example 4:

Poor: Helwig makes her readers understand that Emma is conniving.

Good: Emma is conniving. – or – Helwig portrays Emma as conniving.

Example 5:

Poor: Shakespeare makes the reader feel Hamlet’s struggle.

Good: Shakespeare sharply conveys Hamlet’s struggle.

I could go on. Please leave “the reader” out of all your work.

03/29/2009 15:33
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1. Allow events to change you.
You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.

2. Forget about good.Good is a known quantity.
Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.

3. Process is more important than outcome.When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.

4. Love your experiments (as you would an ugly child).
Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.

5. Go deep.
The deeper you go the more likely you will discover something of value.

6. Capture accidents.
The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.

7. Study.
A studio is a place of study. Use the necessity of production as an excuse to study. Everyone will benefit.

8. Drift.
Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.

9. Begin anywhere.
John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.

10. Everyone is a leader.
Growth happens. Whenever it does, allow it to emerge. Learn to follow when it makes sense. Let anyone lead.

11. Harvest ideas.
Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.

12. Keep moving.
The market and its operations have a tendency to reinforce success. Resist it. Allow failure and migration to be part of your practice.

13. Slow down.
Desynchronize from standard time frames and surprising opportunities may present themselves.

14. Don’t be cool.
Cool is conservative fear dressed in black. Free yourself from limits of this sort.

15. Ask stupid questions.
Growth is fueled by desire and innocence. Assess the answer, not the question. Imagine learning throughout your life at the rate of an infant.

16. Collaborate.
The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.

17. ____________________.
Intentionally left blank. Allow space for the ideas you haven’t had yet, and for the ideas of others.

18. Stay up late.
Strange things happen when you’ve gone too far, been up too long, worked too hard, and you’re separated from the rest of the world.

19. Work the metaphor.
Every object has the capacity to stand for something other than what is apparent. Work on what it stands for.

20. Be careful to take risks.
Time is genetic. Today is the child of yesterday and the parent of tomorrow. The work you produce today will create your future.

21. Repeat yourself.
If you like it, do it again. If you don’t like it, do it again.

22. Make your own tools.
Hybridize your tools in order to build unique things. Even simple tools that are your own can yield entirely new avenues of exploration. Remember, tools amplify our capacities, so even a small tool can make a big difference.

23. Stand on someone’s shoulders.
You can travel farther carried on the accomplishments of those who came before you. And the view is so much better.

24. Avoid software.
The problem with software is that everyone has it.

25. Don’t clean your desk.
You might find something in the morning that you can’t see tonight.

26. Don’t enter awards competitions.
Just don’t. It’s not good for you.

27. Read only left-hand pages.
Marshall McLuhan did this. By decreasing the amount of information, we leave room for what he called our “noodle.”

28. Make new words.
Expand the lexicon. The new conditions demand a new way of thinking. The thinking demands new forms of expression. The expression generates new conditions.

29. Think with your mind.
Forget technology. Creativity is not device-dependent.

30. Organization = Liberty.
Real innovation in design, or any other field, happens in context. That context is usually some form of cooperatively managed enterprise. Frank Gehry, for instance, is only able to realize Bilbao because his studio can deliver it on budget. The myth of a split between “creatives” and “suits” is what Leonard Cohen calls a ‘charming artifact of the past.’

31. Don’t borrow money.
Once again, Frank Gehry’s advice. By maintaining financial control, we maintain creative control. It’s not exactly rocket science, but it’s surprising how hard it is to maintain this discipline, and how many have failed.

32. Listen carefully.
Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.

33. Take field trips.
The bandwidth of the world is greater than that of your TV set, or the Internet, or even a totally immersive, interactive, dynamically rendered, object-oriented, real-time, computer graphic–simulated environment.

34. Make mistakes faster.
This isn’t my idea — I borrowed it. I think it belongs to Andy Grove.

35. Imitate.
Don’t be shy about it. Try to get as close as you can. You’ll never get all the way, and the separation might be truly remarkable. We have only to look to Richard Hamilton and his version of Marcel Duchamp’s large glass to see how rich, discredited, and underused imitation is as a technique.

36. Scat.
When you forget the words, do what Ella did: make up something else … but not words.

37. Break it, stretch it, bend it, crush it, crack it, fold it.

38. Explore the other edge.
Great liberty exists when we avoid trying to run with the technological pack. We can’t find the leading edge because it’s trampled underfoot. Try using old-tech equipment made obsolete by an economic cycle but still rich with potential.

39. Coffee breaks, cab rides, green rooms.
Real growth often happens outside of where we intend it to, in the interstitial spaces — what Dr. Seuss calls “the waiting place.” Hans Ulrich Obrist once organized a science and art conference with all of the infrastructure of a conference — the parties, chats, lunches, airport arrivals — but with no actual conference. Apparently it was hugely successful and spawned many ongoing collaborations.

40. Avoid fields.
Jump fences. Disciplinary boundaries and regulatory regimes are attempts to control the wilding of creative life. They are often understandable efforts to order what are manifold, complex, evolutionary processes. Our job is to jump the fences and cross the fields.

41. Laugh.
People visiting the studio often comment on how much we laugh. Since I’ve become aware of this, I use it as a barometer of how comfortably we are expressing ourselves.

42. Remember.
Growth is only possible as a product of history. Without memory, innovation is merely novelty. History gives growth a direction. But a memory is never perfect. Every memory is a degraded or composite image of a previous moment or event. That’s what makes us aware of its quality as a past and not a present. It means that every memory is new, a partial construct different from its source, and, as such, a potential for growth itself.

43. Power to the people.
Play can only happen when people feel they have control over their lives. We can’t be free agents if we’re not free.

03/28/2009 11:18
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“If walking is so good for you, then why does my mailman look like jabba the hut?”
— Khea (my cousin)
03/28/2009 10:55
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03/28/2009 01:53
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